** Named a Best Book of 2007 by Ready Steady Book, an independent book review website, working in association with The Book Depository, which is devoted to reviewing the best books in literary fiction, poetry, history and philosophy.

"An invaluable guide to new literary territory, Taylor is equally good in discussing writers whom the reader already knows."
— Raphael Rubenstein, Rain Taxi

"The paths that John Taylor invites us to walk in this book are inviting ones: fifty-five luminous essays devoted to the broad avenues and the seductive byways of contemporary writing in France. John Taylor is opinionated but his opinions are rigorously argued ones. He strikes a canny and productive balance among a variety of competing concerns: the will to instruct his readers, the desire to share with them some very real pleasures, the imperative to interpret critically, and so forth. What emerges here is the image of a rare reader, one who is always willing to engage literature on its own terms, and that of a literature that is mobile, ambitious, provocative and deeply invested in the process of becoming. — Warren Motte, Review of Contemporary Fiction

"In this great introduction to some 50 French writers and poets little known outside of France, Taylor (The Presence of Things Past; The World As It Is), winner of the Three Oaks Prize for Fiction, invites his readers on an interesting journey."—Library Journal

"Here it is under one cover: a deeply informed, delightful, and provocative ‘stroll’ through the literature of postwar France. From the chroniques of Cingria to the mythologies of Barthes, John Taylor introduces us to the prose and poetry of dozens of French authors, many of them regrettably never translated into English. Taylor is a skillful and witty guide, able to locate a writer between the traditions of Catullus and Pavese or to identify a style borrowing equally from Hölderlin and Hemingway. Working across every genre from autobiography to poetry to fiction to travelogue to the essay, these French authors, well known and obscure, have plumbed the ‘quintessential French problem’ of subjectivity. Tired of the culture wars? The language-lyric debate? The post-game analysis of post-structuralism? I suggest you dive into any one of John Taylor’s ‘Paths’ for a reminder of the astonishing breadth and depth and complexity of which literature is capable.”—Erica Funkhouser, author, Pursuit

“Here we have vast erudition revealed in graceful, arresting sentences, writing that provides confidence and pleasure. John Taylor’s writing strongly evokes Henry James’ writing about French literature in his own day. Like James, Taylor is both generous and astute, never relinquishing admiration for the intricate process of analysis, analysis that he does so penetratingly and eloquently. However brilliant Taylor’s observations, behind them rests a deep esteem for the writer, for his or her work, and for the tradition from which it comes. This is critical writing that is satisfying at every single level.”—Richard Goodman, author, French Dirt: The Story of a Garden in the South of France

“As they stroll through forgotten quartiers of Paris, wander in memory through the fields of a Norman childhood, reflect on a poem’s resemblance to the salt marshes of the Breton coast, mourn the death of a beloved young wife, or look for answers in questions to which the only answers are more questions—France’s most celebrated and, in some cases, still uncelebrated contemporary writers are exquisitely captured by John Taylor in a prose both limpid and lapidary and through a host of finely wrought essays, each a small jewel of critical insight, poetic sensitivity, and meticulous interpretation. Like a message in a bottle cast up on the shore, this work offers the English-speaking reader an original and poetic way to understand, appreciate, and love French contemporary culture.”—Richard Stamelman, professor of romance languages and comparative literature, Williams College

Although the great French novelists of the last two centuries are widely read in America, there is a widespread notion that little of importance has happened in French literature since the heyday of Sartre, Camus, and the nouveau roman. Some might argue that even well-read Americans are ignorant about what is happening in European literature generally. Certainly, there has never been so few translations of foreign books in the United States, or so little coverage of foreign writers. Curious American readers need new, up-to-date information and analyses about what is happening elsewhere. Paths to Contemporary French Literature is a stimulating and much-needed guide to the major currents of one of the world’s great literatures.

This critical panorama of contemporary French literature introduces English-language readers to over fifty important writers and poets, many of whom are still little known outside of France. Emphasizing authors who are admired by their peers (as opposed to those with overnight reputations), John Taylor offers a compelling insider’s view. The pioneering essays included in this book offer incisive analyses of the ideas motivating current writing and delve into a writer’s or poet’s entire output. Although some names may be familiar (Marguerite Duras, Hélène Cixous, Philippe Jaccottet, Henri Michaux), the reader obtains fresh reappraisals of their seminal work. Especially noteworthy, however, are Taylor’s lively introductions to many other key writers who either have not yet crossed the English Channel, let alone the Atlantic. Combating the notion that French literature is overtly intellectual, inaccessible, or interested only in formal experimentation, Taylor shows that many French writers are instead acutely inquisitive about the outside world, shrewd observers of reality, even very funny. Although not conceived as a “reference book,” the volume possesses some qualities of a reference work: a good bibliography, reliable dates and biographical facts.

Paths to Contemporary French Literature will be of interest to students of French literature and culture, literary scholars, and readers of contemporary fiction and poetry.

“John Taylor is opinionated, but his opinions are rigorously argued ones. He strikes a canny and productive balance among a variety of competing concerns: the will to instruct his readers, the desire to share with them some very real pleasures, the imperative to interpret critically, and so forth. What emerges [in Paths to Contemporary French Literature] is the image of a rare reader, one who is always willing to engage literature on its own terms, and that of a literature that is mobile, ambitious, provocative, and deeply invested in the process of becoming.” -Warren Motte, Review of Contemporary Fiction

John Taylor is the author of four collections of short prose: The Presence of Things Past (1992), The World As It Is (1998), Mysteries of the Body and the Mind (1998), and Some Sort of Joy (2000). He is the winner of the 2003 Three Oaks Prize for Fiction.

“I would like to use this opportunity to draw attention to an essential reference work, John Taylor's two splendid volumes, Paths to Contemporary French Literature volumes 1 and 2....In these well written, consistently instructive and often illuminating pages, Taylor discusses well over a hundred French writers, including many of my favourites: Sarraute, Des Forets, Duras, Antelme, Perec, Jabès, Marcel Cohen, Roland Barthes, Bonnefoy, Ponge, Deguy, Quignard, Paulhan, Rawicz, Beckett, Emmanuel Bove. The long essays on Pascal Quignard and Michel Deguy are particularly insightful, and essential reading for the sympathetic newcomer seeking an introduction to these major writers.”
--Anthony Rudolf, ReadySteadyBook.com

"As a literary critic, John Taylor is considered to be one of the most important and knowledgeable 'explainers' of contemporary French literature to foreign readers." (Translated)
--Maison des Écrivains et de la Littérature

"In these well written, consistently instructive and often illuminating pages, Taylor discusses well over a hundred French writers, including many of my favorites: Sarraute, Des Forets, Duras, Antelme, Perec, Jabés, Marcel Cohen, Roland Barthes, Bonnefoy, Ponge, Deguy, Quignard, Paulhan, Rawicz, Beckett, Emmanuel Bove. The long essays on Pascal Quignard and Michel Deguy are particularly insightful, and essential reading for the sympathetic newcomer seeking an introduction to these major writers."
--Anthony Rudolf